The early 16th century in Ferrara has four masters as its protagonists: Ludovico Mazzolino, a painter with a bizarre and anti-classical flair; Giovan Battista Benvenuti, known as l’Ortolano, characterized instead by a convinced and sincere naturalism; Benvenuto Tisi, known as il Garofalo, a Ferrarese interpreter of Raphael’s manner, and Giovanni Luteri, known as il Dosso, who develops an original style.
The visitor will thus be accompanied through a rich season, where the ancient and the modern, the sacred and the profane, history and fairy tale blend together in a figurative world, the world of Ferrara.
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